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Transcript
Hi, everyone, thanks for tuning in. This
Leela Sinha:morning, I'm thinking about an article I read about photography
Leela Sinha:from an indigenous perspective, and the language of photography:
Leela Sinha:of taking, capturing, shooting, and the gun-like violence
Leela Sinha:embedded in that. And I'm thinking about one of my oldest
Leela Sinha:friends, who when he talks about creating photography talks about
Leela Sinha:making a photograph. I never really thought about that. And I
Leela Sinha:don't know if he learned that at art school, or if he learned
Leela Sinha:that inside himself. But it would fit his deep gentleness.
Leela Sinha:Making a photograph. And in this article, they talked about the
Leela Sinha:ways in which indigeneity has had to re-encounter photography
Leela Sinha:in this modern context, in this colonized world. And what it
Leela Sinha:means to decolonize photography, starting with the definitions of
Leela Sinha:decolonization, and the definitions of photography, and
Leela Sinha:how we do it, and what we do it with, and what it means to make
Leela Sinha:a photograph about a thing. And liminality. And they talked,
Leela Sinha:there was this one sentence where they said, that "men and
Leela Sinha:women and LGBTQIA plus people" as though that was a whole
Leela Sinha:separate category And I felt this click in myself, and
Leela Sinha:thought, yes, yes, that to me, queerness is a word to describe
Leela Sinha:personal liminality. But it's also more than that it's a...
Leela Sinha:it's a... it's its own place. I talk about being genderqueer.
Leela Sinha:But even using the word gender attached to queer makes it feel
Leela Sinha:like I have to somehow genderize my queerness; like there's a a
Leela Sinha:way that I have to describe myself as tugged between two
Leela Sinha:bodies, when in fact there is no "between two" to be tugged. I am
Leela Sinha:all of those things that people think are masculine and
Leela Sinha:feminine. And I am not many of the things that people think are
Leela Sinha:masculine and/or feminine. And... and. And. It is the most
Leela Sinha:embedded part of my identity in the way that I know men who say
Leela Sinha:that they are "so men," and women who believe that their
Leela Sinha:whole me-ness is wrapped around womanhood. And I never
Leela Sinha:understood that. But I do understand my whole self being
Leela Sinha:queer. And I'm thinking about the way that queerness and the
Leela Sinha:concept of queering things which came into common usage, just
Leela Sinha:about the time I was coming through college. I was
Leela Sinha:privileged to be able to be at a college that offered some of the
Leela Sinha:first formalized Queer Studies classes. And I was privileged to
Leela Sinha:be able to take them, and to start to reconceive my entire
Leela Sinha:academic and intellectual journey with this centeredness
Leela Sinha:of queerness. And now, of course, I sit and try and queer
Leela Sinha:everything around me because otherwise it doesn't fit me, it
Leela Sinha:doesn't suit me, or it doesn't interact with me, like it's
Leela Sinha:okay, that some things around me aren't queer. And some things
Leela Sinha:are truly neutral. They don't, they don't need queerness
Leela Sinha:embedded in them in order for them to be for me. But so many
Leela Sinha:things need that element of me in them somehow; need to know
Leela Sinha:how to talk to being not just outside the lines, but outside
Leela Sinha:of everything normative and expected and simultaneously,
Leela Sinha:deeply normative and expected. Like this is a thing that has a
Leela Sinha:place in our culture, and I belong here. And when I take
Leela Sinha:this idea, this thought, this practice of queerness into work,
Leela Sinha:I can't help but remember my internship supervisor, Brian
Leela Sinha:Kopke. I hope he's resting and painting and walking and playing
Leela Sinha:his flute well, by which I mean deeply and without any regard
Leela Sinha:for what other people think of it.
Leela Sinha:I think of my internship supervisor, and how he
Leela Sinha:introduced me to the idea of doing our supervisory meetings
Leela Sinha:at this sandpit that had been converted to a dog park on the
Leela Sinha:edge of town. And so we would take his baby Golden Retriever
Leela Sinha:puppy and get in his car and start talking as we drove to the
Leela Sinha:sandpit. And then we would walk and walk through the trees and
Leela Sinha:up and down and through the gorse. And talk and talk and
Leela Sinha:talk and laugh at the dog as she got muddy, and got curious and
Leela Sinha:scrambled in and under and over and around things. And we would
Leela Sinha:walk and talk. And then when we were done, we would walk back to
Leela Sinha:the car and towel off the dog and get back in the car and
Leela Sinha:drive back to the beautiful church building, and go back to
Leela Sinha:the rest of our work. But what I learned from that, more than
Leela Sinha:that I like walking in the woods with a dog, and that that's a
great way to get things, moving:
:thoughts and ideas and feelings
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:and practices that maybe aren't moving in the stillness of the
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:office, it's also a great way to get actual privacy. And it's
great way to get things, moving:
:also a great way as it turns out, for someone with ADHD, to
great way to get things, moving:
:get a lot more focus on what his intern is saying. He made no
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:secret of it. What I learned from that is that sometimes the
great way to get things, moving:
:work is better done interleaved with other things in the world.
great way to get things, moving:
:Sometimes two things do go together, even if they don't
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:look like they do. Sometimes, you don't know what wisdom is
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:waiting for you in the middle. Which, you know, actually, I
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:knew I had known for a long time. This was not unfamiliar. I
great way to get things, moving:
:did an interdisciplinary undergraduate degree. I was
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:constantly connecting and reconnecting one subject matter
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:area to another until finally I just made it official. And the
great way to get things, moving:
:reason that this is up for me now is that I think it is time
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:for us to think about what we need to interleave what we need
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:to mix what we need to weave together what we need to
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:uncompartmentalize. As leaders, it is very tempting to expect
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:and hope that people will compartmentalize themselves and
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:their lives, that they will leave their feelings out of the
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:workplace, that they will leave their work at work and go home
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:to things that are not related to their work. But if you have
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:ever stayed up late tossing and turning about the passion of
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:your life, which is also your livelihood, you know that that
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:is not a thing. And so we just try to pretend that it's a thing
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:for some reason that I can't figure out. And instead, what if
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:we recognize the deep integration of everything with
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:everything, which is how life works. When people get pregnant,
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:humans, our bodies swell, and change and rewire to favor the
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:fetus over the health of the gestating parent. And what does
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:that mean concretely? It means that if your fetus wants to, it
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:has the power to kill you. And that is one of the reasons why
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:we only carry our fetuses for nine months. Because it would be
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:a lot more logical developmentally, if we carried
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:them for twelve. But if we carried them for twelve, they
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:would take so many of the resources from the parent that
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:the parent would die before the fetus was born. And so our
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:compromise is kind of like a kangaroo. We carry them around
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:on the outside for the next three months. We are wired
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:deeply with our environments, into our environment. And it is
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:true that we extract resources from our environments, but we
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:have to do it in a way that doesn't kill them or us. And we
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:are wired deeply into our businesses. When we found
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:something, we are integral to it and it is integral to us at the
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:beginning. And yes, our goal is to create something independent
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:that can run around the world without us. That will
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:potentially carry on after we're gone. And in order to create
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:something that is truly sustainable, we have to remember
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:our deep interconnection with it and it's deep interconnection
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:with us and that is on the macro and the micro level. So in
great way to get things, moving:
:addition to that deep interconnection out there, the
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:big one, the what is the purpose of your business? And is it
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:destroying the world? Or is it nourishing it? question. There
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:is also the small question, the set of small questions, the
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:question of how do we make our lives and our being and the way
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:that we are in our business, be sustainable, be deeply
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:integrated? How do we change from sitting in an office where
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:we could be overheard, and we can't really sit still. And we
great way to get things, moving:
:can't really have our feelings, to going to the sandpit where we
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:can walk, and talk and shout and cry, and throw the stick for the
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:dog. Sometimes that is literally the solution. Sometimes you need
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:to take meetings off site. Sometimes you literally need to
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:take meetings in an unexpected environment. Sometimes you need
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:to do things for one another, that don't fall strictly inside
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:the bounds of what we think of as appropriate for business.
great way to get things, moving:
:Sometimes we bring someone lunch or dinner. It's not your job,
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:but we are all each other's business. Sometimes you can't do
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:that. Sometimes you don't know what their needs are. Sometimes
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:it's just going to make it worse. Which means you have to
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:know each other well enough not to do that. And to leave the
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:space where the spaces belong. And sometimes, sometimes it
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:means giving someone agency and independence. Sometimes it means
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:explaining your reasoning so that you can give them agency
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:and independence. Sometimes it means admitting that there's a
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:little bit of a black box to the way you're running things. And
great way to get things, moving:
:that's on purpose. And explaining what you're doing and
great way to get things, moving:
:giving people the freedom to come or go as they need to.
great way to get things, moving:
:Sometimes a lot of things. And sometimes it means asking
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:yourself what should be shared? What should be sacred and quiet?
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:When it is appropriate to capture something? And when you
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:are simply going to make a photograph.